What happens when a painting leaves the wall and becomes a space in itself? Elia Menang Setiadi (he/him) sees painting as an open-ended process. Gestures, words, sounds, colours and textures from everyday life flow into his work, where they are layered, transformed and interwoven anew. Nothing remains fixed: forms emerge, dissolve and reappear elsewhere.
For Jungkunst, Elia developed a spatial installation comprising several paintings. Like a folding screen, it cuts through the exhibition space, opening up and shifting lines of sight, and making painting a physical experience. The paintings step out of their usual positions into a direct dialogue with one another, with the industrial hall, and with us in the space. Between watching and passing on, pausing and moving, a rhythm of its own emerges. The installation becomes a permeable structure in which painting, space, perception and language intertwine. What initially appears as a fragment soon becomes part of a larger context.